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Events

Monday,
Jun 22
Summer Session A BeginsAcademic Calendar
Tuesday,
Jun 23
2026-2027 FAFSA Identity Verification Drop-In Session(4PM - 6PM) Financial Aid and Scholarships
UCLA Financial Aid & Scholarships is offering virtual drop-in sessions for students who need to complete the 2026–2027 Identity Verification process and are unable to do so in person or through the notary option. Important Notes - Your government-issued photo ID must be clearly visible during the Zoom session. If we are unable to verify your identity, you will be required to complete the verification process either in person or through the notary option. - Due to limited capacity, students may be asked to attend a different drop-in session if there is a high volume of participants and we are unable to meet with everyone during the scheduled time.
Wednesday,
Jun 24
World Cup Watch Party(12PM)Hammer Museum
Watch the 2026 FIFA Men's World Cup live at the Hammer—on big screens, with friends and fellow fanatics, in an indoor/outdoor setting where art and sport come together. Between matches, explore our free exhibitions, shop the store, or grab a bite at our restaurant. Drinks available for select matches. Outside food and non-alcoholic beverages are allowed. Learn more here: https://hmmr.buzz/world-cup Location: Hammer Museum, 10899 Wilshire Blvd, Los Angeles, CA 90024
Thursday,
Jun 25
Join Innercity Struggle and the UCLA Chicano Studies Research Center for a discussion addressing some of the most pressing issues facing the Eastside of Los Angeles. CSRC Director Veronica Terriquez will moderate the discussion. Location: Plaza de la Raza, 3540 North Mission Road, Los Angeles, CA 90031
Avoiding Plagiarism Workshop(11AM - 12PM) Office of the Dean of Students
This workshop provides an overview on the various forms of academic dishonesty regarding plagiarism. Participants will learn when, where, and why it is important to cite properly. Students will also learn how to avoid plagiarism and the information presented will stress the need to attribute work to the original author and the potential outcomes for plagiarizing. Additionally, paraphrasing, and direct quoting will be discussed. ZOOM. Register through MyUCLA by going to Campus Life> Calendar> Event Reservations> Find Events. Location: https://ucla.zoom.us/j/7500525367
World Cup Watch Party(1PM)Hammer Museum
Watch the 2026 FIFA Men's World Cup live at the Hammer—on big screens, with friends and fellow fanatics, in an indoor/outdoor setting where art and sport come together. Between matches, explore our free exhibitions, shop the store, or grab a bite at our restaurant. Drinks available for select matches. Outside food and non-alcoholic beverages are allowed. Learn more here: https://hmmr.buzz/world-cup Location: Hammer Museum, 10899 Wilshire Blvd, Los Angeles, CA 90024
2026-2027 FAFSA Identity Verification Drop-In Session(1PM - 3PM) Financial Aid and Scholarships
UCLA Financial Aid & Scholarships is offering virtual drop-in sessions for students who need to complete the 2026–2027 Identity Verification process and are unable to do so in person or through the notary option. Important Notes - Your government-issued photo ID must be clearly visible during the Zoom session. If we are unable to verify your identity, you will be required to complete the verification process either in person or through the notary option. - Due to limited capacity, students may be asked to attend a different drop-in session if there is a high volume of participants and we are unable to meet with everyone during the scheduled time.
Friday,
Jun 26
In person: chef and restaurateur Alice Waters. Director Alfonso Arua’s Like Water for Chocolate was an arthouse sensation when first released and still defines the evocative power of food in film. Based on Laura Esquivel’s novel, its sensuous tale of forbidden love unfolds in early 20th-century Mexico when Tita is bound by family tradition to remain unmarried to care for her mother. Prevented from acting on her love for the handsome Pedro, she pours her passion and heartbreak into her cooking which has a magical, intoxicating effect on those who consume it. The intimacy of the heart and the intimacy of the kitchen transform culinary preparation into a powerful expression of desire, rebellion and yearning.—Senior Public Programmer Paul Malcolm Director: Alfonso Arau. Screenwriter: Laura Esquivel. With: Lumi Cavazos, Marco Leonardi, Regina Torné. 35mm print courtesy of the Sundance Collection at the UCLA Film & Television Archive. Location: Billy Wilder Theater
Saturday,
Jun 27
In person: Q&A with actor David Selby and historian Jim Pierson, editor of Dark Shadows Noir: Classic Black and White Photography From the Dan Curtis Productions Archive. Book signing with Pierson before the screening. Guest speaker Made possible by the John H. Mitchell Television Programming Endowment. Premiering on June 27, 1966, on ABC-TV, Dark Shadows (1966–71) represented an outré experiment in daytime television that became an unexpected breakout hit and evergreen cult classic. Created by horror-maestro Dan Curtis (The Night Stalker, Trilogy of Terror), the innovative soap opera, which initially struggled in the ratings, expanded greatly in popularity in its second year with the addition of a 175-year-old charismatic vampire character named Barnabas Collins (Jonathan Frid). As the eerily atmospheric series evolved to fuse gothic supernatural elements and romance into complex storylines, it developed a passionate youth following and became a pop culture phenomenon. In the process, the videotaped series earned the distinction of being the first soap to spawn a theatrical motion picture spin-off, House of Dark Shadows (1970), and several additional feature films and reboots. The beloved original series ran for over 1,200 episodes before its abrupt cancellation in 1971. In the ensuing decades, the aura surrounding Dark Shadows has only intensified, with the influential program enjoying nearly constant reruns in syndication, luring an influx of new viewers into the mysterious, shadow-drenched world of the wealthy Collins family of fictional Collinsport, Maine. Join us for a celebration of Dark Shadows, exactly 60 years to the day of its premiere, including the debut episode and rare archival footage. Before the screening, historian Jim Pierson will sign copies of Dark Shadows Noir: Classic Black and White Photography from the Dan Curtis Productions Archive. Following the screening, there will be a Q&A with Dark Shadows star, actor David Selby, and Jim Pierson. Programmed and note written by John H. Mitchell Television Curator Mark Quigley. Location: Billy Wilder Theater
Sunday,
Jun 28
Ernest & Celestine(11AM)Library
Presented by UCLA Film & Television Archive and the Hammer Museum. The Billy Wilder Theater opens 15 minutes before each Family Flicks program. Location: Billy Wilder Theater
Legacy(7PM)Library
In person: director Karen Arthur; editor Carol Littleton; Paula Chambers, daughter of screenwriter and actor Joan Hotchkis; Eric Morris, acting teacher and director of the theatrical production of Legacy. Guest speaker Legacy is the story of Bissie Hapgood, a woman unraveling under the pressures of a vapid and materialistic society consumed with dinner-plate settings, soap operas and sexual frustration. The material originated as a one-woman show in 1973, written and performed by Joan Hotchkis, a versatile talent celebrated for her roles on television series including The Odd Couple and The Life and Times of Eddie Roberts. Karen Arthur, a first-time filmmaker, saw Hotchkis on stage and convinced the actor to adapt the screenplay and star in the film. Independently produced and financed, Legacy, like its peers Wanda (1970) and A Woman Under the Influence (1974), confounds 1970s Hollywood’s expectations with the introduction of a new kind of cinematic woman. Bissie stuns audiences with her honesty that is confrontational, yet heartfelt and a vulnerability that is never sentimental and always surprising. Legacy features an exceptional crew at the start of what would become a set of accomplished careers. Arthur, who would go on to direct The Mafu Cage (1978) and become a prolific television director, winning an Emmy Award for Cagney & Lacey, collaborated with cinematographer John Bailey (Ordinary People, 1980, In the Line of Fire, 1993) and editor Carol Littleton (E.T., 1982, The Manchurian Candidate, 2004). Note written by Archive Research and Study Center Officer Maya Montañez Smukler. Location: Billy Wilder Theater