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Events

Saturday,
Jun 6
Orientation Signups Begin(12PM)Transfer Admits
Running vs N/A(5PM)Running
CRP End of Year Celebration(5PM - 7PM) Bruin Resource Center
Join us for the Collegiate Recovery Program End-of-Year Celebration on Saturday, June 6th from 5-7 PM in Tom Bradley International Hall, Room 300. This gathering is a chance to celebrate the close of the academic year, reflect on our collective growth, and honor our graduating CRP students as they reach this important milestone. ??? All CRP students are encouraged and welcome to attend. Graduating students will be recognized during the celebration. Please RSVP by Friday, May 8th! You can find additional details about the event in the form. Location: Bradley 300
Spring Study Break(5PM - 9PM) Residential Life
Join us for a quick study break before final exams begin. Therapy dogs, crafts, snacks, and more! Location: Sunset Village Plaza
2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 Inside Amir Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 103 min. Digital. Color. After his girlfriend emigrates to Italy with the expectation that he will soon follow, bike messenger Amir (Amirhossein Hosseini) is still neither fully committed to leaving nor fully clear on what the future holds if he stays in Iran. Instead, he spends his in-between days hanging with friends who have themselves settled into a life of drift, playing poker, cooking meals together and biking around the city and country. Nothing ever really happens, which is precisely the point of writer-director Amir Azizi’s warm and loving portrait of a generation that has learned to embrace simple freedoms and pleasures where they can find them in a world where even that can feel like an act of resistance. DCP. Director/Screenwriter: Amir Azizi. With: Amirhossein Hosseini, Hadis Nazari, Nader Pourmahin. Screening 2 of 2 Divine Comedy Year: 2025 Country: Iran Language: Persian with English subtitles Runtime: 98 min. Digital. Color. Iranian writer-director Bahram Ark (Skin, Animal) plays Bahram, an Iranian writer-director who has achieved fame on the international festival circuit but has yet to have one of his films screened in Iran. After his latest is again denied a permit, he and his producer Sadaf (Sadaf Asgari) set out on her moped determined to find a way to get it on screen with the help of a hodgepodge of decidedly eccentric characters. Bahram’s situation is all too familiar to co-writer-director Ali Asgari (Terrestrial Verses) and his regular collaborators here, who use romantic comedy tropes to illuminate the absurdities — and dangers — faced by filmmakers in Iran. DCP. Director: Ali Asgari. Screenwriter: Alireza Khatami, Bahram Ark, Bahman Ark, Ali Asgari. With: Bahram Ark, Sadaf Asgari, Hossein Soleimani. Location: Billy Wilder Theater
Sunday,
Jun 7
BPS x SwD End of Year Celebration(1PM - 4PM) Bruin Resource Center
Join us in celebrating our parenting/caregiving community at UCLA. The BPS x SwD End of Year centers the theme "Rooted in Community" honoring collective care, connection, and support systems that make student parent success possible.
2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 3 Son Year: 2024 Country: Iran Language: Kurdish with English Subtitles Runtime: 15 min. Digital. Color. Farhang Short Film Festival Audience Choice Award winner In a village in remote Iranian Kurdistan, an old mother waits for her son to return from military service. When he doesn’t arrive as expected, she sets out to find him only to discover a truth about his identity that will change their lives forever. DCP. Director/Screenwriter: Saman Hosseinpuor. With: Maryam Boubani, Kurosh Ahmadi, Kianoosh Farzin. Screening 2 of 3 Between Dreams and Hope Year: 2025 Country: Iran Language: Persian with English Subtitles Runtime: 106 min. Digital. Color. A frequent collaborator with filmmaker Ali Asgari, writer-director Farnoosh Samadi centers the inequity and injustices faced by Iranian women in much of her work. In her second feature behind the camera, Samadi expands her frame to include Azad (Fereshteh Hosseini), a trans man, longing to start his life with his lover Nora (Sadaf Asgari), but who must confront his estranged father before he can. Hosseini and Asgar (another Asgari film regular) deliver deeply affecting performances in a story that is by turns tender and harrowing about the power of love over hate. DCP. Director/Screenwriter: Farnoosh Samadi. With: Fereshteh Hosseini, Sadaf Asgari, Hooman Rahnemoon. Screening 3 of 3 The Great Yawn of History Year: 2024 Country: Iran Language: Persian with English Subtitles Runtime: 93 min Digital. Color. Part adventure story, part mystical allegory, director Aliyar Rasti’s The Great Yawn of History begins with an eccentric job interview. Beitollah (Mohammad Aghebati) drops dollar bills with his contact information around the city, then interviews anyone who calls about their belief system. Answering that he believes in nothing, Shoja (Amirhossein Hosseini) gets the gig: following Beitollah deep into the Iranian desert to find a box of gold coins he saw in a vision. Rasti’s debut feature won the Special Jury Award in the Encounters section of the Berlin International Film Festival for its exploration of faith and greed set against the hardscrabble landscapes of a depopulated rural Iran. DCP. Director/Screenwriter: Aliyar Rasti. With: Mohammad Aghebati, Amirhossein Hosseini, Saber Abar. Location: Billy Wilder Theater
Monday,
Jun 8
Tuesday,
Jun 9
Office closed for In-Person AssistanceFinancial Aid and Scholarships
UCLA Financial Aid & Scholarships will be closed for in-person assistance on Tuesday, June 9, 2026. Students and families may contact our office via Message Center or our Phone lines from 10am-3pm. Please visit our contact us webpage for additional details. Location: A129 Murphy Hall
Take a finals break at Charles E. Young Research Library and make your own custom button! All supplies are provided—just bring your inspiration. De-stress and walk away with something you made yourself! Location: Charles E. Young Research Library
Wednesday,
Jun 10
UCLA Teaching Symposium - Adapting Instruction in the Age of AI(9:30AM - 12PM) Teaching and Learning Center
Virtual Option Added! Due to extensive interest in the UCLA Teaching Symposium, a virtual option is now available for the keynote address and faculty panel discussion. The afternoon sessions will only be available to in-person attendees. Please register to attend by June 5. All members of the UCLA community are welcome to join the symposium’s virtual sessions. For questions or additional information, contact help@teaching.ucla.edu. The UCLA Teaching and Learning Center’s inaugural symposium will provide a forum for dialogue on the impact of emerging technologies. Presenters and participants will thoughtfully address AI’s evolving role in teaching and learning from a variety of perspectives, and live demonstrations will showcase various tools for responsibly integrating AI into courses. The symposium will include: Keynote Address by Terence Tao Terence Tao, professor and the James and Carol Collins Chair in the UCLA College of Letters and Sciences, will examine the implications of AI in higher education. Learn more about the keynote speaker. Panel Discussion A group of faculty experts will illuminate the implications of AI’s presence in higher education. Concurrent Sessions Flash talks and roundtables will showcase examples of how instructors have developed and integrated AI tools. Technology Exposition and Social Hour Hands-on demonstrations to explore AI tools for teaching and learning. Location: https://survey.it.ucla.edu/jfe/form/SV_9HMQVlGXSy3TcxM
CPT Webinars for F-1 Visa Students(10AM - 11AM) Dashew Center for International Students and Scholars
UCLA F-1 visa students, do you want to know more about off-campus employment authorization? Join us on one of our weekly CPT webinars hosted by the Dashew Center staff to learn more! Location: https://ucla.zoom.us/j/95322790676
Bear Necessities(10AM - 2PM) Graduate Student Resource Center
We’ve got your study essentials covered! Stop by the GSRC to pick up your Bruin necessities and get set up for a productive study session! Location: Graduate Student Resource Center (SAC B11)
Friday,
Jun 12
Commencement CeremoniesAcademic Calendar
Spring Quarter EndsAcademic Calendar
2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 Where the Winds Die Year: 2021 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. Farhang Short Film Festival 3rd prize winner A Kurdish city in western Iran, Sardasht was the target of a chemical weapons attack in 1987. Director Pejman Alipour captures the moment the city’s peaceful calm was shattered in this powerful, watercolor-style animated short. DCP. Director/Screenwriter: Pejman Alipour. Screening 2 of 2 Black Rabbit, White Rabbit Year: 2025 Country: Tajikistan/United Arab Emirates Language: Tajik, Persian and Russian with English subtitles Runtime: 139 min. Digital. Color. Tajikistan's submission to the Oscars for Best International Feature Film, Black Rabbit, White Rabbit finds writer-director Shahram Mokri working at the top of his cinematic game. On a film set for the remake of a classic Iranian film, the crew’s armorer worries that a prop gun may not be what it seems and a mysterious young woman arrives to demand an audition. Meanwhile, at a well-appointed villa, a woman recovering from a car accident discovers she may be the target of a murder plot. In Mokri’s inimitable style, long camera takes and elliptical editing blur time and space, visions and reality, history and fiction. DCP. Director: Shahram Mokri. Screenwriters: Shahram Mokri, Nasim Ahmadpour. With: Babak Karimi, Hasti Mohammaï, Kibriyo Dilyobova. Location: Billy Wilder Theater
Saturday,
Jun 13
Commencement CeremoniesAcademic Calendar
Lavender Extravaganza(1PM - 3PM) LGBTQ Campus Resource Center
Join us in celebrating 28 years of Lavender Extravaganza on-campus at Korn Convocation Hall on Saturday, June 13th from 1:00pm-3:00pm! Registration is open through May 22nd for all undergraduates, graduate, and professional students who would like to participate as a celebrant and be recognized for their achievements at UCLA. There is no limit to guest tickets for students who would like to invite family, friends, and loved ones to attend. Location: Korn Convocation Hall
2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: curators Arta Barzanji, Hadi Alipanah (via video) Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, Cinema-ye Azad consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, Cinema-ye Azad boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key Cinema-ye Azad figures, Nasib Nasibi and Behnam Jafari. Program curated by Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Arta Barzanji. Screening 1 of 2 From Isfahan to Abarkooh Year: 1970 Country: Iran Language: Persian with English subtitles Runtime: 23 min. Digital. B&W. A report on historical buildings, legends and traditions along the route from Isfahan to Shiraz, passing through regions including Mahyar, Shahreza, Ziaratgah, Aminabad, and Izadkhast. The film mixes documentary observation with the poetic vision seen in Nasib Nasibi’s later works. DCP. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Bahram Ardabili. Screening 2 of 2 How Frightening Is the Darkness of the Soul! Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 60 min. Digital. B&W. How Frightening Is the Darkness of the Soul! is an avant-garde film poem about drowning in a world of madness in search of true liberation. It highlights the close connections between literary and theatrical circles and the filmmaker's approach to avant-garde cinema. Initially, the main character attempts to escape the monotony of daily life by immersing herself in a world of madness. The film is a journey through the path she takes. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Mahvash Bargi, Farhad Majd Abadi, Shokooh Najm Abadi. Location: Billy Wilder Theater